“Camera Workflows” are guides to getting media from a camera, to editing in Final Cut Pro.

• Canon HFM400
  • Importing Canon HFM400 media into Final Cut 7 using Log and Transfer.
  • Importing Canon HFM400 media into Final Cut X using Import > Media.
  • Managing Canon HFM400 Media
• Go Pro HERO3
• Sony NEX-EA50U
  • Managing Sony NEX-EA50U Media
  • Importing Sony NEX-EA50U media into Final Cut 7 using Log and Transfer.
• Panasonic HVX200
  • Opening/Converting P2 files from an external storage device into Final Cut Pro 7
  • Opening/Converting P2 files from an external storage device into Final Cut Pro X
  • Using the Transfer Room G4 Tower to convert P2 Clips and transfer them to your external drive
  • Using the USB port to transfer to your external drive
• Panasonic HMC-150
  • Importing Panasonic HMC-150 media into Final Cut 7 using Log and Transfer.
  • Importing Panasonic HMC-150 media into Final Cut X using Import > Media.
  • Managing HMC-150 Media.
• Sony HVR-Z7U
  • Using MPEG Streamclip to convert .M2T files to ProRes and import into Final Cut Pro X
  • Using Roxio Toast to convert .M2T files to ProRes
  • Using the Sony RAD Plugin for importing footage via Log & Transfer into Final Cut Pro 7
• Conforming HDV Clips to Square Pixel
• Sony FS100
  • Caution regarding 1080p recording for Stop Motion and Time Lapse.
  • Importing FS100 media into Final Cut 7 using Log and Transfer.
  • Importing FS100 media into Final Cut X using Import > Media.
  • Managing Sony FS100 Media.
• Sony XDCAM EX1
  • Importing XDCAM media into Final Cut 7 using Log and Transfer.
  • Importing XDCAM media into Final Cut X using XDCAM Transfer Utility.
  • Sony XDCAM Media
• Transcoding Digital SLR/H.264 to ProRes
• Flip Camera (Original) & Flip Mino
• Kodak Zi8 Handycam
• Flip Ultra HD
• Preparing Video For Web Streaming